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As a teaser for our upcoming CD (Yes, it's actually been mastered and Yes, it's actually schedule for release in January 2011, I have a live version of our song Crying Town.
Enjoy!
Crying Town (Live @ Southpaw Brookyln 11-3-2010)
by Buddy Love
by drumgod
For 30 years I've known this band to be the kings of "power pop" but this single is something like a dream. If Jeff Lynn took all the Beatles while they were alive and stripped down George Martin's strings and just let the band play natural. (Remember it's a dream). This would be the new Beatles single. Mr.Kelly nailed the vocals and Doug and the guys come in at the precise time to make the melody hum in your head 24/7. The Harrison/Weezer guitar break is a stunner and no offence to Lady GaGa but this IS THE RECORD OF THE YEAR. And I can't wait for an album(VINYL PLEASE!!!)
Very cool song
Just saw this on the CD Baby main page. I don't know this band, but the preview sounded pretty good, so it's a 99 cent impulse buy. At first I was a little skeptical of their "playing the Beatles card" so heavily in the short description, but this song really does have some of that Beatles feel without being totally derivative. I especially like the bridge and the guitar solo. Nice work!
author: Bruce Irving
Good stuff
by NYCPopFan
This is the best Buddy Love song I ever heard! And I've been following this band on and off for years. I saw them perform this song live recently and thought, "Wow, this is different...", not their usual Power Pop fare but more mature and "adult contemporary". This recorded version is even more engaging. Joey's vocal has a restrained emotional edge I never heard from him before. The whole thing has got a great Beatles vibe and the guitar solo channels George directly from wherever he is.
So yes, two thumbs WAY UP!
by Rinhey
I have been following Buddy Love from the very beginning. Crying Town is a triumph on many levels. Writing, vocals, production. It's a home run. Joey's vocal on this song shows his range and ability. The band never sounded better. I've got a fever and the only cure is more Buddy Love, and cow bell.
Q. Why do I find some of the melodic themes “playing” in my mind for several days after a concert?
A. A catchy tune, whether classical or pop, is so well known for staying in the brain that the effect has long been exploited for advertising jingles, and there have been efforts to define what makes a melody “sticky.” But a hard-to-shake melody can be a burden rather than a welcome souvenir, turning into what is called an earworm, and the reasons are not definitely known.
The mental pathways for music are complex, sometimes including not only auditory areas but also the visual cortex of the brain. Recent research suggests that musical perception is entwined with primitive parts of the brain and that it can influence emotions through the limbic system.
How a melody becomes an earworm, however, is unclear. A 2001 survey by James J. Kellaris of the University of Cincinnati, a consumer psychologist, found that “music characterized by simplicity, repetitiveness and incongruity with listeners’ expectations is most likely to become ‘stuck.’ ” Up to 98 percent of people will experience a sticky tune, his study suggested, and some people, like musicians, women and the worry-prone, are more susceptible than others. The causes may be psychological or even physical, tied to sound frequencies that resonate in the body.
After further research, Dr. Kellaris theorized that one way to scratch what he called a “cognitive itch” is to sing the mental tune aloud.
C. CLAIBORNE RAY
Buzzcocks Refuse to Stop Show During NYC Bomb Scare
5/14/2010 By Greg Pratt
Sure, Buzzcocks may be a bunch of old men, but they still have that punk rock attitude, no doubt about it. They still love to tour and as a recent incident in New York City proves, they still don’t give a toss about personal safety when they’re rocking out, which is a vital component of any punk show, isn’t it?
The band were playing a sold-out show at New York City’s Irving Plaza on Thursday (May 13) when there was a bomb threat outside the venue. During their set, police evacuated other buildings around the venue and blocked off some roads after a car was found outside with two gas cans in its back seat.
At around 11:30 p.m., the police interrupted the band’s performance and told vocalist/guitarist Pete Shelley to ask the crowd if anyone owned the vehicle. The band’s other guitarist/vocalist, Steve Diggle, said to the cops, “Tell them to fuck off,” reports Spin. “Isn’t there a robbery going on around the corner?” Then, in true punk fashion, the band continued the song they had stopped (“E.S.P.”) and finished their set.
Maybe they didn’t realize the seriousness of the situation or that the venue was on lockdown and no one was allowed to leave, as perhaps they couldn’t see the message the venue had posted on the television monitors, points out Spinner. But we like to think they knew and didn’t care. After all, if everyone’s stuck in there and potentially about to get blown up, why not keep playing?
In the end, it turned out the owner of the car — a blue 1991 Oldsmobile Cutlass — was at the show. As for the gas cans, dude is no terrorist; he mows lawns for a living.
Buzzcocks’ last album was 2006’s Flat-Pack Philosophy; they also recently reissued three of their classic albums.
The band are currently on tour playing their first two albums, Another Music in a Different Kitchen and Love Bites, both originally released in 1978 (and two of the aforementioned albums that got reissued), in their entirety.